"In continuo" uses slaughterhouse imagery to present the warlike nature of man, first depicting the cleaning and mechanical preparations for the slaughterhouse and then the killing, however, the animal slaughter itself isn’t shown.
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New York Portrait, Chapter III
München, Raphaela
Berlin: Symphony of a Great City
New York Portrait, Chapter II
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Fata Morgana
Maria
Discovering Buñuel
A Small Passage of Time
Pluto Declaration
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